Starting the year off on a new note

Happy 2015!

I could get into all the excuses I have for not having blogged in far too long but I won't so I can get to the excitement of being back in the studio after a break over the holidays.

I think January is one of my favourite times of the year in the studio because I get to step back a little bit from the process of running my studio to plan, experiment, play, and make new work for the new year.  I just finished working on my financial year end (ahead of the game by a few months from what I usually do) and it's given me a good picture of where I need to put my energy and time.  I'm still working on figuring out what pieces I sold most and how many I made last year (a first for me!).  All these numbers make my head swim but, at some point, it's a really important way to think through how I work and how to grow in a way that fits who I am, and what my goals are.

Part of this strategy and numbers, planning and playing is coming from starting to work with a Business Manager.  This past year I met with the incredible team from Taendem and felt like it was a good fit for me at this stage in my studio life.  When I started Dahlhaus in 2007 I took a self-employment program, wrote a business plan and had a business coach through the program to guide me for my first year.  Since then, I've been kind of winging it.  Every year I think I might have figured out the perfect balance of wholesale, online sales, studio sales and craft sales, along with hiring more or less help in the studio, spending more or less money on photography or marketing opportunities, saying yes or saying no to the increasing amount of opportunities that come my way, regretting some or learning a lot from being part of something I hadn't anticipated working on.

This intuitive approach of running my studio really came to a crashing halt last January when I fractured my arm in a bike accident.  The day before I fell, I was on the phone with my dad and he had asked me how my week was going.  I told him I felt like I was in a boxing arena, and all these punches were coming my way and I wasn't sure which ones to duck for and when to punch back.  That kind of analogy really hit me hard the following day while I sat in the walk-in clinic, pondering how I was possibly going to work with a fractured right elbow.  Amazingly, with the help of my brand new studio assistant, Janine, I was able to get through a really tough time.

So this year I wanted to start the year on a better footing.  I know that creating a viable, sustainable studio practice as an artist and a maker is a tall order, but I'm willing to give it all I have without compromise.  Well, there's going to be a bit of give and take, but you get the idea.  Here's to 2015, to turning 40, to celebrating 20 years of love with my darling, to having my oldest child become a teenager, and to the wild ride my little studio is on!

 Thanks for following along!  Join me on Instagram for more great chats and stories.

Mid-Summer Up-date and New Vases

Well it has certainly been quite a while since I have posted anything on the blog but there has been some recent newsworthy items along with a few batches of new work that is slowly creeping towards being on the website for an up-date again.  We are part way through summer and I just pulled a collection of new vase forms in the new speckled clay, perfect for wildflowers or flowers from the garden.  I keep envisioning them lining a large out-door table, filled with fresh pickings from summer gardens. I hope to have them available online and in shops in the next couple of weeks, but in the meantime I took a few home to enjoy and photograph. The speckled clay has been getting a lot of attention these days (check out the August issue of Canadian House & Home Magazine), but of course I'm still making heaps of my more classic dahlhaus work: the poppies, the stripes, the triangles and the herringbone designs, which were all standards in my spring shop orders. 

Speaking of shops- have you checked out the up-dated stocklists page on my website?  There are a few new ones to point out- the Museum of Craft in Design in SF was particularly exciting to make work for.  Also Poppytalk now has a storefront on Broadway just off Main st in Vancouver- it's a beautiful little shop and they are well stocked with the speckled work! I just finished a huge custom colour tea canister set for a new lemonade and tea shop called Sunny Side. Along with another painting commission this spring, things have felt quite busy in the studio.  I'm ready for a couple of weeks of holidays mid- August, but there is a bit more work to get through before then.

In other news, I wanted to announce that I'm a finalist for the Western Living Designer of the Year Award in the Industrial Design Category! I'm in great company so I wish everyone the best of luck! Along with that news, I should also take a moment to say that I will be at the Interior Design Show late September as part of the Poppytalk Curated Market.   I'll be back to say more about that but it should be an exciting fall with that kicking off more shows to come.

The boys are all doing great.  Summer is a busy time for my husband, Dean, who over-sees 2  skateboard camps at the beginning/middle of August.  My boys have been taking part of some summer day camps with afternoons spent at the local out-door pool.  We are looking forward to getting away as a family to visit friends, hang out at the beach and press the re-fresh button.  I hope you are able to do that as well! 

Until next time- but in the meantime, you can always follow on Instagram;)!

Happy New Year...oh wait. It's April already.

Oh the neglect!  Four whole months and not a word on the blog.  2014 has had it's highs and lows: if you have been following along on Instagram, you'll be pretty caught up with the good, the bad and everything in between. 

Around the 3rd week of January I was in a bike accident and I fractured my right elbow.  At the time, the doctor told me it would be months until I was back to normal and I just shook my head and said no way.  It can't be.  I have too much work to make. But here we are in early April and I just touched my shoulder for the first time in months.  I'm in Physio twice a week and my arm still doesn't fully extend.  So needless to say, I haven't spent long amounts of time typing on the computer.  All my energy has been in making the work that was on order and finishing up my website.  And writing applications, responding to emails and generally trying to keep up with everything that was absolutely necessary.


So thank you for understanding if you have come here wondering where I was.  We managed to take a couple of long-overdue holidays (Palm Springs in February and Portland in March).  I finished a painting commission (above), made 2 more paintings and then started my 2nd painting commission for the year, which I'm pretty excited about.  New work was photographed by Byron Dauncey in the beginning of February leading to the launch of my new website.  The bottle vase grouping image above even made it into the latest Uppercase Magazine.  Orders have been made and shipped.  More orders are in the works, and thankfully I can throw on the wheel again, albeit I'm a little slower and tire easily.  I take a lot of stretching breaks these days. 

That's about all I have for today but thank you for coming by here.  I decided not to include this blog on my new website for now.  Partly because I'm not sure how to add it without losing old posts, partly because I don't think I can keep this space as active as I used to.  The age of blogs seems to have passed, and while I still feel like it's a good place to have, it doesn't feel like I have the time for it like I used to.  I'm trying to limit my screen time while I'm at home- not only do I need to be more present when I'm home for my family, but I need to be a better role model for my boys with regards to how much time I spend online/plugged in and looking at a a screen.

Shiny Fuzzy Muddy 14: This Weekend!

I've been busy since the Crawl trying to make some new work for the Shiny Fuzzy Muddy show coming up this weekend! The show is a highly curated collection of great makers, artists and designers- some coming from Alberta, but mostly from BC.  I'm really excited to be part of the show!

Saturday, December 14, 11am-9pm
Sunday, December 15, 10am-7pm

Hope to see you there!  Learn more about all the makers involved in the show here!

What does 'handmade' mean to me?

photo and styling credit: Tyler Payne and Francis Chan

Lately I have been reminiscing about my childhood as I often compare it to my own kid's, mostly because I grew up without devices, video games, computers or the internet.  Outside of Saturday morning cartoons on a black and white telly, the most device-oriented entertainment I had in my childhood was the double tape deck I received for Christmas one year that allowed me to play dj and make up my own radio shows.   I did a lot of making as a kid, and my mom, aunts, and grandmas' all gave me hand-made gifts or sewed me dresses to wear for special occasions.  With my family's modest income, handmade was a necessity, not a privilege.  Handmade back in the late 70's/ 80's meant truly 'made by hand from scratch', and conjures up images of funky weaving, rustic pottery, quilts made from old dresses and aprons, baskets, and blue ducks.

Fast-forward to today, where the term 'handmade' is thrown around to add value to an item and ultimately make it more expensive than a mass-produced item.   Handmade terms are added onto items found in big-box stores to add value to items made overseas; words like 'woven', 'hand-blocked', 'hand-loomed', 'hand-crafted' are all used interchangeably.  Etsy has started changing it's policy and definition of what 'handmade' means to their site, adding that sellers can now out-source production and ship from manufacturers both local and abroad as long as they can verify that the original design is their own (see this article for more info).  I see this really changing how 'handmade' is perceived, creating even more confusion to the average person, who is already not quite sure how things are made. 

Over the past few years of being a full-time maker I catch myself judging items I see marked 'handmade' as somehow not quite 'handmade'- depending on if they were made 'from scratch' or whether they were put together with parts manufactured elsewhere.  I realized recently that my judgement wasn't really fair and that ultimately I am searching for what handmade means to me and to what I make.  A few years ago I began to make some of my pieces using slip-casting moulds made from my own designs, making my work look more refined, and less 'handmade'.  A frequent comment at the Crawl this year was how I get things to look so uniform- although most of the time, the comments came when people were holding a wheel-thrown piece of mine.  It's interesting to think through how comments from people at the Crawl kind of sit with me over time.  A few years back it was a comment I over-heard saying that my work was 'a bit too handmade looking' that had me scrutinize my glazing method to really clean up my designs.

I don't want to simply react and make changes within my handmade business solely based on the shifts within the handmade industry, but I can't ignore what is happening to the ever-evolving idea of what handmade means.  It has had me re-think how I want to make in the studio recently and I can't quite say for sure how this will change my work.

Recently I have started working with a couple of new clay bodies.  One is a beautiful but pernickety porcelain that is double the cost of my previous porcelain.  The other is a stoneware tan clay body that has a lot of flecks in it.   I have spent more time on the wheel and hand-building (like the porcelain herringbone platters above), attempting to get back into a rhythm that could perhaps allow me to make more of my mugs on the wheel again.  I've changed some of my glazing methods with some simpler glaze designs that loosen up my work in the glazing department.  I think there is a shift I'm working towards within my work, and I'm not sure what will become of it.   I started painting again and that feels really good.  It's informing my ceramics in a different way so I'm pretty excited to see where that can take me.

I think at the core of handmade is the notion that the hand of the maker creates an intrinsic value in what her or she creates.  Maybe that's thinking too highly of one's ability to make or the skill or craftsmanship of an object, but I think the story of handmade goes so much further when it comes from the hand, because it's closer to the heart.  As I see other makers move into becoming designers and there-by removing themselves from some of the making process, I wonder whether this is a direction I should be planning to take myself.  Then I get lost in throwing a bowl or hand-building a platter with my hands full of clay and somehow I want to re-discover the handmade spirit that got me started on this path in the first place.

I'm curious to hear what you think about some of the changes that are happening with Etsy, or with makers turning more into designers and outsourcing production.  I think the viability of a handmade business creates bottom lines for people who ultimately need to find ways to make their work more profitable.  Clearly there is no right or wrong, just a ton of different paths and options of ways to grow or sustain one's work.  I think those of us who are studio makers and full-time at it are constantly wondering how to make it a little easier financially or easier with making/production time. I welcome the notion that 'handmade' isn't going to mean the same thing to everything, however at this moment I feel like a truly handmade mode of making still resonates with me and my work. 

Eastside Culture Crawl, November 15-17

Get your culture on Vancouver! It's the Eastside Culture Crawl- where 300+ makers, artists and designers open their studio doors to the public for the weekend of November 15-17.  Please come and support a local economy of makers, be amazed and inspired by the talent we have in this city, and get a glimpse into some of the amazing creative spaces Vancouver has to offer!!

Friday, November 15, 5-10pm
Saturday & Sunday, November 16 & 17, 11am-6pm

dahlhaus studio
965 Vernon Drive
The Mergatroid Building

Featuring new work, with a special 10% off price especially for Crawl visitors!
Also there will be a seconds or sale table with 50% off items!

If you have any questions, please email me at heather@dahlhausart.com!

photo and styling by Tyler Payne  & Francis Chan

New Herringbone Dip Trays for Fall

You might have seen my sneak peeks of these herringbone trays on my Instagram feed or Fb page  over the summer.  Recently when I dropped off work at one of my local galleries, one of the staff asked whether I had any of the herringbone trays in my box.  Well, I'm kind of slow when it comes to new work.  Slowly but surely I sort out how I'm going to make multiples of a new design.  I like to make sure I have the right clay for the job (I chose the most white, and luxurious porcelain for these plates), the right glazes and the right pattern combination to bring it all together.  I try to sort out all the trouble shooting I can (porcelain can be so pernickety).  So these trays are kind are the beginning of what I hope will be more to come.  I currently have another slab mould drying out for a smaller/deeper rectangle version of these trays (they will look so sweet together!).  I have been making more of my pattern templates, based on other designs that I usually use as glaze patterns.  I've been mixing some new glazes to add (because we all know I love colour!)  Everything in ceramics takes a little time. 

I've been envisioning these as a great lunch or breakfast plate, the perfect collection of plates for a party (because they stack so well), or a luxury catch all for jewelry on one's dresser.  They can now be purchased here!  More to come soon!

Back Alley Evening Stroll: East Van

It's a really pretty time of year.  There are tons of leaves changing colours and each street in our new neighbourhood seems to be lined with a different kind of tree.  I'm waiting for the street next to us to change into bright red maple colours, while our Oak lined street is turning to brown leaves with acorns falling all over the place.  It makes me a little nervous on the street lined with chestnut trees, these huge clod-hopper chestnuts falling at random. 

Hope you are having a great fall- I'll be back with more news over the next few weeks!

Support a great cause! Creamers on Kickstarter!

HD videoeditFINALUpload from Hilary Moses on Vimeo.

September has really flown by and I'm finishing up a number of really great shop orders, a wedding registry and starting to think about my holiday shows!

In the meantime, I wanted to post about a really special project I'm helping support!  You might remember my friend Hilary Moses, a Vancouver animator who is creating a short animation about a woman who paints creamers all day.  I made some mugs as a perk for her last campaign- this helped her get almost finished a large chunk of her animation short.  She is almost finished her animation, which has been about 10 years in the making! The last of the leg work needs to be completed (including sound). Her kickstarter campaign is 75% complete and with 9 days to go, she is so close! Please consider helping her out and you could receive a custom 'Creamers' Mug handmade by me as a perk.  And get a sneak peek into my studio when she visited this past July in the video!

So long summer

The best of summer is slipping away and we are gearing up for the start of a new school year.  I am back in the studio this week with so many exciting projects in the works, but which are all hush hush for now.  In the meantime, I thought I'd say 'hello' after a long break from the blog! Anyone still reading this thing?? Hope you are well :)

New Shop Shout-outs!

You can now find a great selection of my stripe, herringbone and triangle bottle vases at 2 new shops! 

Please check out the brand new Cambie Design at 1535A Queen St. W, in Toronto!  Their grand opening this Saturday, August 17th, sounds like fun with popsicles, a lemonade stand, and lots to ooh and ahh over in the home decor department!  I love how they have paired my bottle vases with a vintage cabinet, and I spy a little more Vancouver ceramic love with Fleet Objects' Mariner Lamp in the foreground! 

This week I shipped off an order to Finely Crafted Store in Atlanta!  With such a lovely mix of other indie makers and designers, I think my stripe and triangle vases will be in good company! I'll share a little bit more once they arrive in store!

And with that, I'm off for a little last bit of summer vacation before the boys go back to school!  It's been a great summer in our new home and I think we've finally settled in.  My commute to the studio just got more enjoyable with the purchase of a new city bike!  Check out the latest meanderings, (and sneak peeks of work to come soon) on my instagram feed! 

Shop Up-date and a SALE!

My shop has a fresh new look along with some new photos from the mini-photography session I had with Vancouver Photographer Byron Dauncey last week!  I have been working on new vase forms and new designs off and on all spring, and was hoping to do a complete website over-haul along with a formal photography shoot and road-blocks just kept coming up with the timing on it all.  So I'm happy to report that there is always a way out of every timing mess- a mini-shoot, a new webshop design (courtesy of BigCartel) and it's all looking pretty good for the summer, if you ask me!

Please head over and check out the new work!  I keep seeing such lovely bouquets at farmer's markets or just on my walks in people's gardens so I'm offering a 15% discount on all the vases in my shop from now until August 15th!  Please use the code SummerSale for the discount- all the vases listed are ready to ship, with many of them being one-of-a-kind and in limited quantities!

in the new place, on the other side

It's amazing how much energy and mental space moving can take.  But here we are, moved in, getting things set up, on the other side of the bridge, kind of where we started, actually.  The home Dean and I lived in before we had kids, happens to be on the same street, ironically.  It's a funny feeling to be back in the same neighbourhood, but 11+ years later.  For us, it feels like we are coming back home, for our boys, they are feeling a little displaced, like their little world is opening up and they aren't sure where they belong.  I am slowing down a bit in the studio this summer to get them settled and hopefully by the fall, as they enter a new school, we will have found a few friends in the neighbourhood and it will start to feel like home. 

It has been an incredibly busy spring for me in the studio and I'm thankful that I was able to wrap up all my outstanding orders just as we were moving into our new place (ie, last week!).  I have some new work that I'm hoping to launch in the fall, along with a website re-design, so things are busy, but not crazy.  It has felt like a crazy few months, trying to sort out where to live, thinking about what I do and whether it is sustainable for my family in the city, and doing a bit of soul searching to understand what I want to do next.  I see some makers getting really burned out with production pottery and it made me realize I need to make some changes in how I make work so that making continues to be a joy and not a burden. 

So hopefully I'll get back to blogging a bit more often, taking photos again instead of just instagram (do follow me though if you like ;), doing some more painting (I have a new series on the go!!) and making some new pots.  Sometimes starting in a new place feels really good, like you have a blank slate to work with once again.  The furniture is still the same but the setting is different. 

A bit of new!

Well I ended up making a lot of custom work over the past month or so and, as with custom, making extras is the key! Now that the orders are almost all off and on their way, I have some of the extra pieces I'll be posting in my Etsy shop as I seem to have gotten some positive feedback on the new shades and styles of vases I have been working on. 

I recently had a short turn-around request for a large order with a design firm for a show home with some of my new vases in my classic glazed stripes.  They asked if I would be able to create a custom yellow glaze for the design and sent me a swatch of fabric they were trying to match.  As luck would have it, the yellow stain I thought would be perfect for the fabric swatch was no longer available so I mixed 3 different stains and then glazed blind the order (with extras) for this new harvest yellow glaze, crossing my fingers it would turn out ok! I really like the new shade- it's got a wonderful golden glow to the yellow that I think I'll keep as part of my regular work for a while. 

Speaking of new, I am starting to really get the hang of my newest slip-cast glaze designs- the round cylinder 9" and 12.5" vases that you see above!  Over the past few years, I have been wheel-throwing my cylinder vases and was having trouble getting my grey glaze to fit the wheel-throwing clay body I have been using.  Lots of bubbles and blisters in the throwing body, silky smooth in the porcelain slip-casting body.  I also find it hard to sit at the wheel for long periods of time- I like to throw multiple shapes in one sitting, not just the same thing over and over.  So when I start dreading throwing, then I start planning how to make the design into a mould.

I currently have only 1 master-mould of each and they are not easy to cast, but I'm slowly figuring it out.  This big grey striped vase, along with 3 others that went to the show home, was the first of the big vases that actually turned out and didn't warp (longer casting time + very little handling when pulling the piece out of the mould = no warping :).  So I'm very excited about the new size and am looking forward to getting a few more of these finished in different colours.  These are real statement pieces- they really hold some presence and look great in a grouping!  

Lastly I have some new wheel-thrown vase designs I have been working on.  It has been nice to try out new forms and play with the herringbone pattern or colour dip pattern on them! These are ooak vases and perhaps at some point I would make a mould of them, but for now, I am enjoying the variety of them.  Slip-casting some of my work frees me up to explore new forms on the wheel and also new glazing designs, so there have been some big advantages for me to move into that direction, especially with vases.  On the other hand, I have spent the week on the wheel, throwing teapots and bowls, and I would never dream of slip-casting those pieces.  It's nice to still see the throwing lines in a bowl or on the inside of a teapot and I still cherish making these items in this way.